Thursday 6 March 2008

Tongli


Situated east to the ancient canal on the bank of the Taihu Lake, Tongli is 18 kilometers from Suzhou City, and 80 kilometers from Shanghai. In ancient times, Tongli was called Fushi. It was changed to Tongli in the early years of the Tang Dynasty (618-907).

Tongli is famous for its large numbers of architectures built in the Ming (1368-1644) and Qing (1644-1911) dynasties, small bridges and celebrities as well as persons of ideals and integrity.

In Tongli, there are 38 residential gardens, 47 temples and several hundred former residences of landowners and celebrities of the Ming and Qing dynasties. Tongli used to have more than twenty natural views, but only some remained extant. Among them, the Tuisi Garden is the representative one, which has been listed as one of the substitutes of cultural heritage in the world.

Surrounded by water on four sides, Tongli is inlaid in the area of five lakes, and is thus abundant in small bridges. The town is divided into seven islands by 15 small rivers while the 49 ancient bridges link up them to form an integral whole. Many buildings are constructed beside water; hence Tongli is reputed as Little Venice in the Oriental. It is the best-preserved ancient watery town in Jiangsu Province, and a key cultural relics site under the protection of the province. In 1995, it was listed by the provincial government as one of the first batch famous historical and cultural towns. It is one of the thirteen major scenic areas around the Taihu Lake.

Nanxun


Nanxun, situated in Huzhou City, is a famous historical and cultural town in Zhejiang Province. It is in the hinterland of the Hangjiahu Plain. It faces the Taihu Lake to the north, and borders on Jiangsu Province to the east. Nanxun is only 51 kilometers away from Suzhou. One will pass the famous Tongli Town from Nanxun to Suzhou.

It is recorded byRecords of Gardens South of the Lower Reaches of the Yangtze Riverthat Nanxun is the only town south of the lower reaches of the Yangtze River with five large gardens in one town. Nanxun boasts numerous historic sites and enchanting natural landscapes, and has both historical and cultural details as well as poetic charm of watery regions south of the lower reaches of the Yangtze River. Since ancient time, Nanxun has been a place with flourishing culture and has turned out many talents. During the Song (960-1279), Ming (1368-1644) and Qing (1644-1911) dynasties, Nanxun turned out 41 successful candidates in the highest imperial examinations.

With a history of 745 years, Nanxun has places of interests such as the Jiaye Book-Collecting Building, Liu Yong's Xiaolian Manor, Zhang Jingjiang's former residence, Zhangshiming's former residence, the Baijian Building and ancient stone bridges of the Song Dynasty.

Luzhi Town


Situated 25 kilometers southeast from Suzhou, Jiangsu Province, Luzhi Town was praised as the First Town of Chinese Watery Regions by Fei Xiaotong, vice president of the Standing Committee of the National People's Congress. Because Lu Qiumeng, a poet named Fu Li in the Tang Dynasty (618-907), once lived there in seclusion, it was called Songjiang Fuli in ancient times. The town was renamed as Luzhi in the Ming Dynasty (1368-1644), after Luduan, a mysterious unicorn, which was believed to have the power of warding off evils.

Luzhi is gifted with favorable terrain and outstanding people. It faces the Wusong River to the north and the Chenghu Lake to the south, and borders on Kunshan City to the east, and Suzhou to the west. Today's Luzhi teems with lakes, rivers and bridges, luring numerous visitors with its beautiful scenery.

Luzhi has been reputed as A Land of Bridges for long. It is amazing to see so many famous small bridges span the 5.6-kilometer-long river course. In its prime it had 72.5 bridges, and now 41 remain extant. Large stone bridges with several arches, small stone bridges with only one arch, wide arch bridges, narrow flat-top bridges, sister bridges and so on. All theses bridges make Luzhi quite special as a town in watery regions.

The famous Baosheng Temple is located in the west of Luzhi. It is recorded that the temple was constructed in 503. Having a history of more than 1,480 years, it is an ancient temple in areas south of the lower reaches of the Yangtze River. With an area of over 100 mu (1 mu = 1/15 hectare), 5,000 rooms and 1,000 monks in its early days, the temple attracted a great number of worshippers and pilgrims. Today we can still see its large scale from the remains. Beside its large scale, the sculpture in the temple also is also known far and wide

The tomb of Mr. Fu Li is in the west yard of the temple, with the Douya Pond in front. The Qingfeng Pavilion stands in the center of the pond. There are also stone bridges and ginkgos of thousands of years old in the temple.

Tuan Cheng Fortress


About two kilometers southeast to the Xiangshan Park at the foot of the West Hill in Beijing, the Tuan Chen Fortress was first built in the 14th year (1749) of Emperor Qianlong's reign. Being the only one of its kind, the Tuan Chen Fortress is a castle-like military training compound for emperors of the Qing Dynasty (1644-1911) to train and inspect their troops.

The layout of the Tuan Cheng Fortress has a style of its own, with a great spectacle. From north to south are, in turn, Tuan Cheng, the drill hall, the drill ground, the Shisheng Temple Stele Pavilion, and the Pine Hall. The drill hall is a circular castle-like building, enclosed by a city moat. Two white marble bridges are over the moat, facing the city gate. The south and north side of the castle has respectively a gate with a tablet hung on it -- the north tablet reads Zhi Yu Jin Tang (will strong as the impregnable fortress), and the south one reads Wei Xuan Bi Lei (power running over rampart). Inside the castle, a circular yard measuring 1,800 square meters is in the center, with two paths for horse running up the east and west city walls to the top of the fortress. On the south and north gates are two towers of the same specifications. The south city gate tower has turned into a temporary exhibition hall, displaying historical materials of the Tuan Cheng Fortress, copies of imperial couches, battle-axes, gongs, umbrellas, fans and weapons of the Qianlong reign according to their original shape, which gives visitors a brief introduction of relevant historical facts and the development of the Tuan Chen Fortress.

A drill ground named the Peach Garden is situated to the south of the drill hall. It is said that in the twelfth year (1747) of Qianlong's reign, Sichuan ran into chaos caused by war, with local people setting up watchtowers in every strategic pass to resist the garrison of the Qing troops. To calm down the turmoil and preparing soldiers for battle against heavily armed defenders fortified in watchtowers, Emperor Qianlong duplicated several watchtowers in the Tuan Cheng Fortress and trained a special troop named Smart Scaling Ladder Troop. Later, the Tuan Cheng Fortress became the drill place of Scaling Ladder Troop and was inspected by Emperor Qianlong from time to time. The Stele Pavilion of Shisheng Temple was built to the southwest of the drill hall, with a tablet erected in the center. Inscribed by Emperor Qianlong himself and written in languages of the Han, Manchu, Mongolian and Zang, the inscriptions on the tablet recorded the cracking down of Sichuan turmoil and the development of Shisheng Temple.

Featuring a special architectural style, the Tuan Cheng Fortress is Beijing's only military training center combining city, temple, tower and drill ground into a whole set. In ancient times, emperors of past dynasties rewarded soldiers here. Nowadays, Tuan Chen has held three large martial art events, and received many martial art fans from all over the country.

Yueyang Tower


The Yueyang Tower stands on the west gate of the Yueyang city wall, looking down at the Dongting Lake, facing the Junshan Island in the distance, and linking the Yangtze River to the north and the Xiangjiang River to the south. Standing on the tower, one can gaze at the distant view of the mists and ripples of the Dongting Lake, with boats sailing on the vast lake. Yueyang Tower is listed as one of the Three Great Towers in China, along with the Yellow Crane Tower in Wuhan and the Prince Teng Pavilion in Nanchang.It has long enjoyed the reputation of being the "first tower under heaven", as the Dongting Lake is known as the "first water under heaven."

It is said that the site was originally an inspection platform for the general Lu Su of the Wu Kingdom (222-250AD) to train his naval troops. In the fifth year of Emperor Qingli's reign in the Northern Song Dynasty (960-1127), Teng Zijing renovated the Yueyang Tower and invited his good friend Fan Zhongyan, a well-known writer, to compose an essay. In Fan's essay,Remarks of Yueyang Tower, he not only described the wonderful scenery, but also wrote the famous lines of one should be the first to bear hardship, and the last to enjoy comforts, indicating his concerns for the country and people. His words won the tower great fame, and have been deeply rooted in the Chinese people's mind from generation to generation. After numerous renovations,the current structure was rebuilt in 1867 in the Qing Dynasty (1644-1911).

The Yueyang Tower has its special architectural features. Its main building has three stories and is 15 meters in height, with four huge nanmu pillars supporting the whole building, twelve round log columns supporting the second floor, and another twelve catalpa pillars supporting the roof. Constructed of wood with interlocking brackets that require no nails, the main building is as steady as a monolith. Its roof looks like a general's helmet, grand and unique. On the right side of the main building is the Thrice Drunken Pavilion, named after a legend describing Immortal Lu Dongbin who got drunk here three times. On the left side is the Fairy Plum Blossom Pavilion. It is said that a flagstone was excavated during the Emperor Chongzhen's reign of the Ming Dynasty (1368-16440. The lines on the stone resemble withered plum blossoms. Those lines were regarded as hand drawings of immortals and called the pavilion Fairy Plum Blossom Pavilion. The piece of flagstone is still erected in the center of the pavilion. Housed in the tower is a wooden screen written by famous calligrapher Zhang Zhao of the Qing Dynasty. Fan Zhongyan's Remarks of Yueyang Tower are inscribed on the screen, which remind visitors of his famous lines.

Shanhaiguan Pass

Shanhaiguan Pass


Known as the First Pass under Heaven, the Shanhaiguan Pass isone of the world's grandest ancient structures as well as the starting point of the Great Wall. Situated between two sheer cliffs of the Yanshan Mountains, it has been a strategic place contested by militarists since ancient times. Standing between mountain and sea, the Pass controls both land and sea passages. With Beijing, the national capital, and Shenyang, the provincial capital of Liaoning, only 400 kilometers away, the Shanhaiguan Pass has been traditionally known as"the first important pass of the Great Wall and the only pass that can lock up the two capitals".

Built in tenth year of the Emperor Hong Wu's reign of the Ming Dynasty (1368-1644), the city gate towers are the main sceneries in the Shanhaiguan Pass, composed of Arrow Tower, Muying Tower, Linlu Tower and Jingbian Tower. Among those towers, the most famous one is the East Gate, the tower of First Pass under Heaven. It forms a situation of Five Tigers Guarding the East Way, together with Weiyuan, Jingbian, Muying, Linlu towers. Standing on the second floor of the tower, one can have a full view of both inside and outside of the Shanhaiguan Pass.Today, the lower part of the tower has turned into a Great Wall Museum, showcasing archaeological materials, literatures, pictures and models.

The city gate towers of the Shanhaiguan Pass recorded great changes seen in the past 600 years. After the founding of New China, the Pass under careful maintenance has become a favorable tourist spot and won the honors of the Nation's Model Tourist Spot, the Nation's AAAA-Class Tourist Spot and the Nation's Excellent Tourist City, owning to its typically traditional architectural style and scenery blending mountain, sea and fortress.

Changyin Pavilion


Located in the Ningshou Palace (the Palace of Tranquility and Longevity) in the Forbidden City, to the east side of Yangxing Study (Study of the Cultivation of Nature), Changyin Pavilion is best known for its Grand Theater Building. First built in 1771 in the Qing Dynasty (1644-1911), the grand theater building is 20.71 meters in height, and 685.94 square meters in total area. It features three tiers of tilted eaves and stages, namely, Fu Stage (Happiness), Lu Stage (Fortune) and Shou Stage (Longevity), from top to the bottom.

Resembling that of Dehe Garden in the Summer Palace, the Grand Theater Building in Changyin Pavilion has trapdoors in the ceiling for fairies to descend, as well as on the floor for demons to surface. Wells and ponds were sunk under the ground stage, with machinery drawing water up to the stages when needed.

The Shou Stage is the main performing stage, with the Fu Stage and the Lu Stage seldom used except when performing dramas of gods and spirits. Opposite the stage is a two-storey building called Yueshi Building, where the emperors, empresses and imperial concubines watched the play. The Yueshi Building is surrounded by two-storey buildings respectively in the east, west and north. Female court attendants and ministers could watch the play in corridors along the side buildings. Behind the Yueshi Building is the Hall for Birthday Celebrations.

The Grand Theater Building in Changyin Pavilion is the largest in the Qing palace. In ancient China, enjoying the theater was the major entertainment in the imperial palace. Plays were put on stage during festivals like the New Year, the Beginning of Spring, the Lantern Festival, the Dragon Boat Festival, the Seventh Evening of the Seventh Moon, the Mid-autumn Festival, the Double Ninth Festival, the Winter Solstice, the New Year's Eve, as well as important celebrations like the enthronement of the emperor and the birthday party of the emperor or the empress.

According to historical data, Empress Dowager Cixi went to see a play in the Changyin Pavilion during every festival, accompanied by the emperor, the empress, the emperor's concubines, princes, dukes and ministers. In the tenth year (1884) of Emperor Guangxu's reign, Empress Dowager Cixi celebrated her fiftieth birthday. To please her, the emperor spent 110,000 liang of silver to purchase costume and stage properties for plays held in the Changyin Pavilion.

Tuesday 4 March 2008

The Erpang Palace


The site of Erpang Palace is situated in Erpang Village, also called Acheng, 15 kilometers west of the downtown Xi'an. It was the imperial palace's front hall of the Qin Dynasty (221-206BC). First built during the reign of King Huiwen, the palace was expanded during the reign of Emperor Qin Shihuang, the first emperor of the Qin Dynasty.
After he unified China, Emperor Qin Shihuang ordered his men to build the Erpang Palace in Shanglin Garden south of Weihe River in 212BC. Since the project was huge, only the front hall was completed during his reign.Records of the Historianby Sima Qian described the extraordinary scale of the Erpang Palace. And, poet Du Mu of the Tang Dynasty (618-907) vividly pictured the magnificent and detailed layout of the palace in his poemthe Ode to Erpang Palace.
Though the huge project of the Erpang Palace wasted a lot of manpower and money, the second emperor of the Qin Dynasty continued with the construction after the death of Emperor Qin Shihuang. Later, Xiang Yu, prince of the Chu Kingdom, burnt down the palace and subsidiary buildings after he conquered the region where the palace was situated.
After the founding of New China, to restore the past glory of the Erpang Palace became the wish of all archeologists and architects. After careful reasoning and design of many experts, the site with a total investment of more than RMB130 million was renovated, including the Grand Palace Gate, Front Hall, Orchid Pond Palace, Palace Halls for Six Kingdoms, Long Corridor, Horizontal Bridge, Cishi Gate, Shangtian Platform, Jidi Altar and rivers. Among all the 12 renovated sites, the Orchid Pond covers more than one hundred mu (1 mu = 1/15 hectares) and the newly built Front hall is 32.85 meters high, 107 meters long and 67.7 meters wide. The height of the Front Hall is similar to the original one, but its length from west to east is 107 meters, only one sixth of that of the original one.
The site of Erpang Palace, covering an area of 23.6 square kilometers, was listed as a cultural relics preservation site of national significance by the State Council in 1961.

The Jianzhang Palace

The site of Chang'an, capital of the Western Han Dynasty (206BC-8AD), is located 5 kilometers north of today's downtown Xi'an.
After the collapse of the Qin Dynasty (221-206BC), Emperor Gaozu, first emperor of the Western Han Dynasty set up the capital in Chang'an according to the suggestion from his talented minister Zhang Liang. TheChanglePalace, theWeiyangPalaceand theJianzhangPalaceare called the Three Han Palaces inChina.
TheJianzhangPalacewas built inShanglinGardenoutside the Han Chang'an City and the construction on it started in 104BC during the reign of Emperor Wudi. The palace comprises many halls and pavilions.
Emperor Wudi also ordered the construction of theGuiPalace, theBeiPalaceand theGuangmingPalace. He constructed theJianzhangPalaceoutside western part of Chang'an City, expanded theShanglinGardenof the Qin Dynasty, excavated theKunmingLake, and built many summer or winter palaces and annexes.

The Puppet Manchurian Imperial Palace


The Puppet Manchurian Imperial Palace was where Puyi, the last emperor of the Qing Dynasty (1644-1911), lived and worked during his reign. During the Japanese occupation of Manchuria (1931-1945), Puyi was installed as the "puppet" ruler of the so-called State of Manchukuo. The Puppet Imperial Palace was built by the Japanese especially for Puyi to live and take part in political activities.
Located at No.3 Guangfu Road in the northeast corner of Changchun City in Jilin Province, the palace is surrounded by black palace walls that enclose an area of 12 hectares. It is composed of series of buildings erected in Chinese classical, European, and Japanese styles, including the Qinmin Building, Jixi Building, Tongde Hall and other subsidiary facilities.
Around the courtyards of the palace there were originally nine two-storeyed blockhouses surrounded by high walls made of concrete. The main gate of the palace was called the Laixun Gate, which was a special passageway for Puyi and commanders. The Baokang Gate in the west was the passageway for court staffs.
The Puppet Manchurian Imperial Palace was divided into two parts: inner court and outer court. The former was the living quarters of Puyi and his concubines. Its main architectures include Jixi Building on the west courtyard and Tongde Hall on the east courtyard. The outer court was where Puyi dealt with state affairs. Its main architectures include Qinmin Building, Huanyuan Building and Jiale Hall. What's more, there are gardens, man-made rockeries, a fish pond, a swimming pool, air-raid shelters, a racket court, a golf course, a hippodrome, a storeroom of books and paintings and other subsidiary facilities.
Among all buildings in the palace, the Jixi Building, Qinmin Building and Tongde Hall are the most outstanding, blending western and Chinese styles, are only two-storey and feature various designs. The Jixi Building was where Puyi and the empress Wanrong lived. On the second floor, there were Puyi's bedroom, reading room, the family hall for worshipping Buddha and the living rooms of Wanrong and concubine Tan Yuling.
The Qinmin Building was Puyi's office building. In its southeast corner is a large room, i.e. its main hall, where Puyi handled affairs of state, received foreign ambassadors and consuls, and issued certificates of appointment to and conferred orders or medals to his puppet government officials.
The Tongde Hall, built during the period from 1936 to 1938, is the largest building in the puppet palace. Japanese engineers were responsible for the design and the supervision of its construction. Its interior decoration is very gorgeous. Now, the east courtyard has been changed into a history museum while the west one has become a display hall. In the palace there stand wax statues of Emperor Puyi and some imperial concubines and display photos of the Japanese invasion and of Puyi's life.
Since Puyi was the last emperor of China, the Puppet Manchurian Imperial Palace he lived during his reign (1932-1945) is regarded as the last palace of Chinese feudal dynasties

The Lama Temple


In the northeast corner of the old city of Beijing lies a group of buildings with yellow roofs bounded by a red wall. It is the famous Yonghe Palace, or the Lama Temple, covering an area of 66,400 square meters. This temple is listed as significant historical site protected by the national government.
This temple is different from other temples for its uniqueness, in terms of history and contents. It was built in 1694, and was the residence of the Manchu Prince Heze. In 1723, Heze succeeded to the throne as Emperor Yongzheng. In the third year (1725) of Yongzheng's reign, the site was turned into a royal residence, and thus, the green tiles were changed to yellow, for yellow was the imperial color. It was called Yonghe Gong (the Palace of Eternal Harmony). The emperor later converted the palace into a lamasery for monks from Mongolia and Tibet, for both Emperor Yongzheng and his son, Qianlong, were all believers of Lamaism. In 1744, during Emperor Qianlong's reign, it was officially declared a Lama temple.
The Lama Temple preserves over one thousand Buddhist figures and rich classical cultural relics of Buddhism. Besides, it displays a large number of other rare cultural relics, including its three treasures: a 18-metre-high statue of Maitreya (the Smiling Buddha) carved out of a single sandalwood trunk; the miniature "Mountain of Five Hundred arhats" made of gold, silver, copper, iron and tin; and a shrine made of Nanmu, a precious hardwood with golden veins. There were originally four halls for learning, namely, the Hall of Mathematics, the Hall of Explicating the Scriptures, the Hall of Tantra and the Medicine Hall, and lamas studied in these halls with a term usually lasting more than 10 years. It took 30 years for lamas to study Buddhism from enrollment to graduation.

The Shenyang Imperial Palace




The Shenyang Imperial Palace was built in 1625 when the Manchus declared Shenyang to be their capital. Upon founding the Ming Dynasty (1368-1644), the Manchus moved their court to Beijing and Shenyang became the secondary capital, which was later called Shenyang Imperial Palace. The palace was enlarged and improved over the years and while its layout has the traditional Han style, it also blends with the Manchu, Mongolian and Han styles


In 1625, Nurhaci began construction of the palace and completed in 1636 under Aisin Giorro Abahai's reign (or Huang Taiji, son of Nurhaci). Although it is considered a miniature of the Forbidden City in Beijing, the Palace by comparison is smaller in scale, covering an area of over 60,000 square meters. It has a cluster of palaces surrounded from east, middle and west sides, the layout of which appears to be natural, sublime and imposing.
The Shenyang Imperial Palace comprises three parts of architectures. The Dazheng Hall and the Shiwang Pavilion, built during the reign of Nurhaci, are the main architectures on the east axis. The main architectures on the central axis are the imperial halls built during the reign of Abahai, including Daqing Gate, Chongzheng Hall, Phoenix Tower, Qingning Hall, Guanju Hall, Linzhi Hall, Yanqing Hall and Yongfu Hall. On the west axis there are Wusu Pavilion, Jiayin Hall and Yangxi Room, which were added to the palace during the reign of Emperor Qianlong of the Qing Dynasty. It is said that though the Forbidden City in Beijing had formed a large scale and was magnificent, Qianlong preferred to visit the Shenyang Imperial Palace now and then.
The Dazheng Hall, located in the center of the architecture on the east axis, is an octagonal pavilion-style building. It has two pillars entwined with dragons to present dignity and solemnity because important national ceremonies like enthronement or death of a sovereign, and announcement of going out for a battle. On the two sides of the hall are ten pavilions called the Shiwang Pavilion (Pavilion for Ten Kings) for the Manchurian tribal lords and the two kings to gather for discussion of state affairs.
The Chongzheng Hall, where Abahai attended to his political affairs, on the central axis is the most important building in the palace. The Phoenix Tower, located north of the hall, was then the highest building in Shenyang City. The Chongzheng Hall also looks like a pavilion as a whole, but since it has a big bulk and is magnificently decorated, it was called a hall instead of a pavilion.
For its huge collection of valuable palace cultural relics, splendid architectural scale and extraordinary appearance of imperial palaces, the Shenyang Imperial Palace is the most intact imperial building ever existing in China's history, only next to the Forbidden City. It is famous for its unique characteristics of the Manchu nationality.

The Changle Palace

Chang'an (today's Xi'an City inShaanxiProvince) was originally a county neighboring Xianyang on the southern side ofWeiheRiverin the Qin Dynasty (221-206BC). As a communications hub, it later became a strategic place many military commanders scrambled for. Suggested by his talented minister Zhang Liang, Liu Bang established his capital in Chang'an. In 202BC, Han Emperor Gao Zu (Liu Bang) of the Western Han Dynasty (206BC-8AD) constructedChanglePalaceon the basis of theXinglePalaceof the Qin Dynasty, and moved the Han capital from Liyang to Chang'an two years later when theChanglePalacewas completed.
In Chang'an there were many palaces, of which theWeiyangPalace,ChanglePalaceandJianzhangPalacewere the three major ones. They were collectively called the Three Han Palaces. TheChanglePalace, situated on the southeastern corner of the city, had an almost square plane and was surrounded by a 10,000-meter-perimeter palace wall with a 20-meter-wide wall base. The palace covered an area of about 6 square kilometers, about one sixth of Chang'an City of the Han Dynasty. There were four gates on the four sides of the palace wall. Halls within the palace have already been severely destroyed.
In history, theChanglePalacewas also called theEastPalace. Famous strategist Han Xin in ancient times was murdered here by Liu Bang's wife Lu Zhi. After Liu Bang died, emperors began to live in theWeiyangPalaceand theChanglePalacebecame the residence for queen mothers. TheChanglePalacewas the political center of the Western Han Dynasty and it generally consisted of four halls: Changxin Hall, Changqiu Hall, Yongshou Hall and Yongning Hall. TheChanglePalacewas where Liu Bang, or Emperor Gaozu, handled state affairs.
After the founding of the People's Republic of China, the Shaanxi Provincial Government, the archeological department of Chinese Academy of Sciences and the National Cultural Relics Managing Committee, etc., made great efforts to research and excavation work, and made great achievements. Grand architectural sites likeChanglePalace,WeiyangPalace,GuiPalace,BeiPalaceandMingguangPalacereceived continuous preservations and repairs. Many historical relics were excavated fromChanglePalace, e.g. a large number of construction materials including rope-line board tiles, pantiles, and eave tiles with cloud patterns or Chinese characters.
Recently a rare offtake was excavated from the site of theChanglePalace. Two conduits, over one meter deep underground, were made of figuline and stretched northward like huge dragons along a 57-meter-long and 1.8-meter-wide offtake. This also shows the superb level of Chinese palace architecture in the Western Han Dynasty from another aspect.

The Potala Palace


The Potala Palace is situated on a hill some 2 km northwest of Lhasa City, capital of the Tibetan Autonomous Region. It is a world-renowned architectural group of palace-fortress style and embodies the essence of Tibetan ancient architectural arts and wisdom of the Tibetan people. It was the religious and political center of old Tibet and the winter residence of Dalai Lamas. From the reign of the Fifth Dalai Lama, major religious and political ceremonies were all held here.
The Potala Palace, with a history of about l400 years, was first built in the 7th century under the Tubo chieftain Songtsan Gambo. In the early Tang Dynasty (618-907), Songtsan Gambo took Princess Wencheng, a daughter of the Tang royal family, as his wife. In order that posterity could remember this great event, he had a nine-storey building with a thousand rooms constructed on Red Hill, which is at an altitude of 3,700-odd meters, as the residence for the princess and named it Potala Palace.
The palace, reclining against and capping Red Hill, has a large scale. It now covers an area of 410,000 square meters, and its construction area alone totals 130,000 square meters. The stone-wood structured main building has a l3-storeyed facade totaling 110 meters in height, built tier upon tier from the hi1l foot up to peak. Five palace halls are covered with gold-plating copper tiles, presenting a really magnificent view.
According to the rule of sunlight refraction on the tableland, the design and construction of the Potala Palace adopted wide and solid wall foundations, with cuniculuses and intakes dug out of the foundation and extending in all directions. Inside the rooms there are pillars, wooden square blocks, girders, traditional beams, etc., to form the supporting framework. All halls and rooms have clerestories for daylight and fresh air. On the walls of the Palace are murals, totaling 2,500 square meters.
At the collapse of Tubo Dynasty found by Songtsan Gambo, the Potala Palace was largely destroyed by wars. In the late Ming Dynasty (1368-1644), the fifth Dalai Lama founded the Ganden Phodrang Dynasty. From l645, the Potala Palace started reconstruction. Later on, through repeated enlargements carried out by successive Dalai Lamas, the Potala Palace acquired the grandness as seen today, and formally became a holy site for Tibetan Buddhism.
The complex mainly comprises the White Palace, which is the residence for Dalai Lamas; the Red Palace, which is a sacred building; and the residence of monasteries.
The Red Palace consists of halls, stupas and various kinds of chapels. It houses altogether eight stupas, among which the largest one belonged to the fifth Dalai Lama. Records show that this stupa alone cost 119,000 liang (3,700 kilograms) of gold and the mummified and perfumed body of the fifth Dalai Lama is preserved inside it. The Great West Hall is the largest hall in the Red Palace, housing many rare treasures such as a pair of large-sized brocaded veiling bestowed by Emperor Kangxi and a stele bestowed by Emperor Qianlong of the Qing Dynasty (1644-1911). The gallery on the upstairs of the Great West Hall leads to a cave where Songtsan Gambo used to cultivate himself. The cave, built in the seventh century, is one of the oldest architectures in the Potala Palace and it houses statues of Songtsan Gambo, Princess Wencheng and Songtsan Gambo's ministers.
The Potala Palace is not only the symbol of the Tibetan ethic minority, but also the symbole of the solidification of the Chinese people. It is also a gem of Tibetan architectural art that offers mankind a plateau snow land's cultural heritage without parallel in the world. The palace was listed as a major national cultural relic to be reserved in 1961, and was listed among the World Heritage List by the UNESCO in December 1994

Daming Palace


The luxurious Daming Palace was one of the three large imperial architectural complexes inside Chang'an (today's Xi'an City of Shaanxi Province) of the Tang Dynasty (618-907): the Daming Palace in the east, Taiji Palace in the west and Xingqing Palace in the south. Of the three, the Daming Palace has the largest scale.
The site is on the Longshou Plateau in the northeast of Xi'an. The palace was first constructed in the eighth year (634) of the Zhenguan reign in the Tang Dynasty. It was originally named Yong'an Palace and renamed Daming Palace in 635, then Penglai Palace after renovation in 662, Yuan Palace in 670 and Daming Palace again in 701. In the following 200-odd years to the end of the Tang Dynasty, emperors all lived in the Daming Palace (except Tang Emperor Xuanzong once lived in the Xingqing Palace), and the palace served as a place for emperors to handle state affairs, receive officials and hold big events such as dress parades. Thus it turned into the national political center.
The Daming Palace covers 12 square kilometers and the city wall is 7.5 kilometers in girth. The city wall is built of rammed earth, the bottom is 10.5 meters wide and the wall foundation is 13.5 meters wide. The palace has nine city gates and within the palace city there are three parallel east-west city walls that divide the palace into three areas. The three areas fall into two parts: the front court and the inner court, according to their functions.
In the palace there were and other great halls while the Hanyuan Hall in front of the palace was the main one. From the site of the Hanyuan Hall one could see its large scale with the Xiangluan Pavilion to its east and the Xifeng Pavilion to its west, both of which were linked to the hall with corridors. In front of the Hanyuan Hall was a wave-shaped "Dragon-tail Road".
The front court has two areas. Along the axis from north to south stand the Hanyuan Hall, the Xuanzheng Hall and the Zihuan Hall, which were collectively called as the Three Great Halls in the history and were the most magnificent architectures in Chang'an. The Hanyuan Hall is the main hall within the Danfeng Gate and is called the outer court. The hall is 11 bays wide and 4 bays, and its east, west and north walls are built of rammed earth. On the southeast is the Xiangruan Pavilion, and on the southwest is the Qifeng Pavilion, which are both connected with the Hanyuan Hall by corridors. There is a relic of a hall where the sovereign discusses state affairs with senior officials each before the two pavilions. More than one hundred meters away from the hall there is the site of the gate, which might have been ruins of a decorated archway. On both sides of the gate, two partition walls run across the palace and in the front is a big square.
The Xuanzheng Hall is about 300 meters to the north of the Hanyuan Hall, and is called the Middle Court, where the emperor held court, conferred titles of nobility on his subjects and announced major policies. The base of the hall is about 70 meters long from east to east, and more than 40 meters wide from south to north. About 130 meters in front of the hall is the Xuanzheng Gate and on the east and west corridors stand several royal office buildings.
The Zihuan Hall is about 95 meters north of the Xuanzheng Hall, being a part of the inner court. It is where emperors discussed state affairs with his ministers, and sometimes held large celebrations. The base of the hall is near 50 meters wide from south to north, but has suffered serious damage.
The inner court is the place where emperors and empresses and imperial concubines lived and entertained themselves. In the central area there was the Taiye Pond, which is also called as the Penglai Pond and divided into the east pond and the west pond, is located at the low-lying place of the northern slope of the Dragon Head Source, and covers a total area of more than 100,000 square meters. A hillock covered with bricks and stones in the pond is the relic of the Penglai Mountain. Originally there were the Taiye Pavilion on the top and cloisters around the hillock.
In the west of the inner court lies the Linde Hall, where emperors held banquets, appreciated dancing and singing performances and received foreign envoys. The base of the hall was built of rammed earth, and its four sides were built by laying bricks or stones. The base is more than 130 meters from south to north, and more than 80 meters from east to west, on which there were three adjoining halls surrounded by cloisters with symmetrical pavilions and storied buildings on both sides.
The palace was a masterpiece of ancient architecture. However, it was finally destroyed after suffering from three wars in 883, 885 and 896 respectively. From 1957 to 1962, the archeological research institute of China Academy of Sciences surveyed and excavated the sites, and in 1984 another major excavation was carried out, focusing on major sites. As a result, the sites of Hanyuan, Linde and Sanqing halls, Lingruan and Qifeng pavilions, Taiye Pond and Penglai Pavilion now can be clearly seen.
Today, the Daming Palace is opened as an important scenic spot for tourists from home and abroad, disseminating the long history and brilliant culture of the Chinese nation. The renovated palace site has many exhibition halls that display the cultural relics unearthed in the site. The State Council proclaimed the Daming Palace as a key cultural relics site under the state protection in 1961, and set up a special storage bureau to manage the cultural relics unearthed in the Daming Palace site.

Monday 3 March 2008

The Shenyang Imperial Palace



The Shenyang Imperial Palace was built in 1625 when the Manchus declared Shenyang to be their capital. Upon founding the Ming Dynasty (1368-1644), the Manchus moved their court to Beijing and Shenyang became the secondary capital, which was later called Shenyang Imperial Palace. The palace was enlarged and improved over the years and while its layout has the traditional Han style, it also blends with the Manchu, Mongolian and Han styles.
In 1625, Nurhaci began construction of the palace and completed in 1636 under Aisin Giorro Abahai's reign (or Huang Taiji, son of Nurhaci). Although it is considered a miniature of the Forbidden City in Beijing, the Palace by comparison is smaller in scale, covering an area of over 60,000 square meters. It has a cluster of palaces surrounded from east, middle and west sides, the layout of which appears to be natural, sublime and imposing.



The Shenyang Imperial Palace comprises three parts of architectures. The Dazheng Hall and the Shiwang Pavilion, built during the reign of Nurhaci, are the main architectures on the east axis. The main architectures on the central axis are the imperial halls built during the reign of Abahai, including Daqing Gate, Chongzheng Hall, Phoenix Tower, Qingning Hall, Guanju Hall, Linzhi Hall, Yanqing Hall and Yongfu Hall. On the west axis there are Wusu Pavilion, Jiayin Hall and Yangxi Room, which were added to the palace during the reign of Emperor Qianlong of the Qing Dynasty. It is said that though the Forbidden City in Beijing had formed a large scale and was magnificent, Qianlong preferred to visit the Shenyang Imperial Palace now and then.




The Dazheng Hall, located in the center of the architecture on the east axis, is an octagonal pavilion-style building. It has two pillars entwined with dragons to present dignity and solemnity because important national ceremonies like enthronement or death of a sovereign, and announcement of going out for a battle. On the two sides of the hall are ten pavilions called the Shiwang Pavilion (Pavilion for Ten Kings) for the Manchurian tribal lords and the two kings to gather for discussion of state affairs.
The Chongzheng Hall, where Abahai attended to his political affairs, on the central axis is the most important building in the palace. The Phoenix Tower, located north of the hall, was then the highest building in Shenyang City. The Chongzheng Hall also looks like a pavilion as a whole, but since it has a big bulk and is magnificently decorated, it was called a hall instead of a pavilion.
For its huge collection of valuable palace cultural relics, splendid architectural scale and extraordinary appearance of imperial palaces, the Shenyang Imperial Palace is the most intact imperial building ever existing in China's history, only next to the Forbidden City. It is famous for its unique characteristics of the Manchu nationality.


The Changle Palace

Chang'an (today's Xi'an City inShaanxiProvince) was originally a county neighboring Xianyang on the southern side ofWeiheRiverin the Qin Dynasty (221-206BC). As a communications hub, it later became a strategic place many military commanders scrambled for. Suggested by his talented minister Zhang Liang, Liu Bang established his capital in Chang'an. In 202BC, Han Emperor Gao Zu (Liu Bang) of the Western Han Dynasty (206BC-8AD) constructedChanglePalaceon the basis of theXinglePalaceof the Qin Dynasty, and moved the Han capital from Liyang to Chang'an two years later when theChanglePalacewas completed.
In Chang'an there were many palaces, of which theWeiyangPalace,ChanglePalaceandJianzhangPalacewere the three major ones. They were collectively called the Three Han Palaces. TheChanglePalace, situated on the southeastern corner of the city, had an almost square plane and was surrounded by a 10,000-meter-perimeter palace wall with a 20-meter-wide wall base. The palace covered an area of about 6 square kilometers, about one sixth of Chang'an City of the Han Dynasty. There were four gates on the four sides of the palace wall. Halls within the palace have already been severely destroyed.
In history, the Changle Palace was also called theEastPalace. Famous strategist Han Xin in ancient times was murdered here by Liu Bang's wife Lu Zhi. After Liu Bang died, emperors began to live in theWeiyangPalaceand theChanglePalacebecame the residence for queen mothers. TheChanglePalacewas the political center of the Western Han Dynasty and it generally consisted of four halls: Changxin Hall, Changqiu Hall, Yongshou Hall and Yongning Hall. TheChanglePalacewas where Liu Bang, or Emperor Gaozu, handled state affairs.
After the founding of the People's Republic of China, the Shaanxi Provincial Government, the archeological department of Chinese Academy of Sciences and the National Cultural Relics Managing Committee, etc., made great efforts to research and excavation work, and made great achievements. Grand architectural sites likeChanglePalace,WeiyangPalace,GuiPalace,BeiPalaceandMingguangPalacereceived continuous preservations and repairs. Many historical relics were excavated fromChanglePalace, e.g. a large number of construction materials including rope-line board tiles, pantiles, and eave tiles with cloud patterns or Chinese characters.
Recently a rare offtake was excavated from the site of theChanglePalace. Two conduits, over one meter deep underground, were made of figuline and stretched northward like huge dragons along a 57-meter-long and 1.8-meter-wide offtake. This also shows the superb level of Chinese palace architecture in the Western Han Dynasty from another aspect

The Potala Palace



The Potala Palace is situated on a hill some 2 km northwest of Lhasa City, capital of the Tibetan Autonomous Region. It is a world-renowned architectural group of palace-fortress style and embodies the essence of Tibetan ancient architectural arts and wisdom of the Tibetan people. It was the religious and political center of old Tibet and the winter residence of Dalai Lamas. From the reign of the Fifth Dalai Lama, major religious and political ceremonies were all held here.
The Potala Palace, with a history of about l400 years, was first built in the 7th century under the Tubo chieftain Songtsan Gambo. In the early Tang Dynasty (618-907), Songtsan Gambo took Princess Wencheng, a daughter of the Tang royal family, as his wife. In order that posterity could remember this great event, he had a nine-storey building with a thousand rooms constructed on Red Hill, which is at an altitude of 3,700-odd meters, as the residence for the princess and named it Potala Palace.
The palace, reclining against and capping Red Hill, has a large scale. It now covers an area of 410,000 square meters, and its construction area alone totals 130,000 square meters. The stone-wood structured main building has a l3-storeyed facade totaling 110 meters in height, built tier upon tier from the hi1l foot up to peak. Five palace halls are covered with gold-plating copper tiles, presenting a really magnificent view.
According to the rule of sunlight refraction on the tableland, the design and construction of the Potala Palace adopted wide and solid wall foundations, with cuniculuses and intakes dug out of the foundation and extending in all directions. Inside the rooms there are pillars, wooden square blocks, girders, traditional beams, etc., to form the supporting framework. All halls and rooms have clerestories for daylight and fresh air. On the walls of the Palace are murals, totaling 2,500 square meters.
At the collapse of Tubo Dynasty found by Songtsan Gambo, the Potala Palace was largely destroyed by wars. In the late Ming Dynasty (1368-1644), the fifth Dalai Lama founded the Ganden Phodrang Dynasty. From l645, the Potala Palace started reconstruction. Later on, through repeated enlargements carried out by successive Dalai Lamas, the Potala Palace acquired the grandness as seen today, and formally became a holy site for Tibetan Buddhism.
The complex mainly comprises the White Palace, which is the residence for Dalai Lamas; the Red Palace, which is a sacred building; and the residence of monasteries.
The Red Palace consists of halls, stupas and various kinds of chapels. It houses altogether eight stupas, among which the largest one belonged to the fifth Dalai Lama. Records show that this stupa alone cost 119,000 liang (3,700 kilograms) of gold and the mummified and perfumed body of the fifth Dalai Lama is preserved inside it. The Great West Hall is the largest hall in the Red Palace, housing many rare treasures such as a pair of large-sized brocaded veiling bestowed by Emperor Kangxi and a stele bestowed by Emperor Qianlong of the Qing Dynasty (1644-1911). The gallery on the upstairs of the Great West Hall leads to a cave where Songtsan Gambo used to cultivate himself. The cave, built in the seventh century, is one of the oldest architectures in the Potala Palace and it houses statues of Songtsan Gambo, Princess Wencheng and Songtsan Gambo's ministers.
The Potala Palace is not only the symbol of the Tibetan ethic minority, but also the symbole of the solidification of the Chinese people. It is also a gem of Tibetan architectural art that offers mankind a plateau snow land's cultural heritage without parallel in the world. The palace was listed as a major national cultural relic to be reserved in 1961, and was listed among the World Heritage List by the UNESCO in December 1994.

Daming Palace



The luxurious Daming Palace was one of the three large imperial architectural complexes inside Chang'an (today's Xi'an City of Shaanxi Province) of the Tang Dynasty (618-907): the Daming Palace in the east, Taiji Palace in the west and Xingqing Palace in the south. Of the three, the Daming Palace has the largest scale.
The site is on the Longshou Plateau in the northeast of Xi'an. The palace was first constructed in the eighth year (634) of the Zhenguan reign in the Tang Dynasty. It was originally named Yong'an Palace and renamed Daming Palace in 635, then Penglai Palace after renovation in 662, Yuan Palace in 670 and Daming Palace again in 701. In the following 200-odd years to the end of the Tang Dynasty, emperors all lived in the Daming Palace (except Tang Emperor Xuanzong once lived in the Xingqing Palace), and the palace served as a place for emperors to handle state affairs, receive officials and hold big events such as dress parades. Thus it turned into the national political center.
The Daming Palace covers 12 square kilometers and the city wall is 7.5 kilometers in girth. The city wall is built of rammed earth, the bottom is 10.5 meters wide and the wall foundation is 13.5 meters wide. The palace has nine city gates and within the palace city there are three parallel east-west city walls that divide the palace into three areas. The three areas fall into two parts: the front court and the inner court, according to their functions.
In the palace there were and other great halls while the Hanyuan Hall in front of the palace was the main one. From the site of the Hanyuan Hall one could see its large scale with the Xiangluan Pavilion to its east and the Xifeng Pavilion to its west, both of which were linked to the hall with corridors. In front of the Hanyuan Hall was a wave-shaped "Dragon-tail Road".
The front court has two areas. Along the axis from north to south stand the Hanyuan Hall, the Xuanzheng Hall and the Zihuan Hall, which were collectively called as the Three Great Halls in the history and were the most magnificent architectures in Chang'an. The Hanyuan Hall is the main hall within the Danfeng Gate and is called the outer court. The hall is 11 bays wide and 4 bays, and its east, west and north walls are built of rammed earth. On the southeast is the Xiangruan Pavilion, and on the southwest is the Qifeng Pavilion, which are both connected with the Hanyuan Hall by corridors. There is a relic of a hall where the sovereign discusses state affairs with senior officials each before the two pavilions. More than one hundred meters away from the hall there is the site of the gate, which might have been ruins of a decorated archway. On both sides of the gate, two partition walls run across the palace and in the front is a big square.
The Xuanzheng Hall is about 300 meters to the north of the Hanyuan Hall, and is called the Middle Court, where the emperor held court, conferred titles of nobility on his subjects and announced major policies. The base of the hall is about 70 meters long from east to east, and more than 40 meters wide from south to north. About 130 meters in front of the hall is the Xuanzheng Gate and on the east and west corridors stand several royal office buildings.
The Zihuan Hall is about 95 meters north of the Xuanzheng Hall, being a part of the inner court. It is where emperors discussed state affairs with his ministers, and sometimes held large celebrations. The base of the hall is near 50 meters wide from south to north, but has suffered serious damage.
The inner court is the place where emperors and empresses and imperial concubines lived and entertained themselves. In the central area there was the Taiye Pond, which is also called as the Penglai Pond and divided into the east pond and the west pond, is located at the low-lying place of the northern slope of the Dragon Head Source, and covers a total area of more than 100,000 square meters. A hillock covered with bricks and stones in the pond is the relic of the Penglai Mountain. Originally there were the Taiye Pavilion on the top and cloisters around the hillock.
In the west of the inner court lies the Linde Hall, where emperors held banquets, appreciated dancing and singing performances and received foreign envoys. The base of the hall was built of rammed earth, and its four sides were built by laying bricks or stones. The base is more than 130 meters from south to north, and more than 80 meters from east to west, on which there were three adjoining halls surrounded by cloisters with symmetrical pavilions and storied buildings on both sides.
The palace was a masterpiece of ancient architecture. However, it was finally destroyed after suffering from three wars in 883, 885 and 896 respectively. From 1957 to 1962, the archeological research institute of China Academy of Sciences surveyed and excavated the sites, and in 1984 another major excavation was carried out, focusing on major sites. As a result, the sites of Hanyuan, Linde and Sanqing halls, Lingruan and Qifeng pavilions, Taiye Pond and Penglai Pavilion now can be clearly seen.
Today, the Daming Palace is opened as an important scenic spot for tourists from home and abroad, disseminating the long history and brilliant culture of the Chinese nation. The renovated palace site has many exhibition halls that display the cultural relics unearthed in the site. The State Council proclaimed the Daming Palace as a key cultural relics site under the state protection in 1961, and set up a special storage bureau to manage the cultural relics unearthed in the Daming Palace site.

The Weiyang Palace of the Han Dynasty



Chang'an (today's Xi'an City of Shaanxi Province) was the capital of China in the Han Dynasty (206BC-220AD), and was constructed and expanded on the basis of the Xingle Palace of the Qin Dynasty (221-206BC). The northern rampart was close to Weishui River and southern rampart was built along walls of the palace. Buildings in the Chang'an City were mainly palaces, among which the Changle Palace and the Weiyang Palace were the most famous ones.
The Weiyang Palace, situated in southwestern Chang'an (5 kilometers from today's Xi'an downtown), was a meeting place for the emperor and ministers in the Han Dynasty. The overall layout waw quadrate and bounding walls surround the palace. The eastern and western walls measured 2,150 meters each, and northern and southern, 2,250 meters each. The whole palace had an area of about 5 square kilometers, one seventh of the city's total area.
Historical documents record that the construction of the Weiyang Palace was organized by Han Emperor Gaozu and supervised by his minister Xiao He soon after the Changle Palace underwent renovation. After the Weiyang Palace was completed, emperors in the Han Dynasty all lived here, so it enjoyed more prominent fame than other palaces. Poets in later generations often used the Weiyang Palace as the synonym of Han palaces in their works. The whole palace consisted of more than 40 halls. The Front Hall of Weiyang Palace was built besides the southern main gate and its huge structure base of rammed earth still lies there today.
Now the existing base of the Front Hall is about 150 meters from east to west and over 350 meters from north to south, and the highest point in the north reaches more than 10 meters. At the point about 200 meters north of the site of the Front Hall was the Jiaofang Hall discovered in 1987, where empresses of the Han Dynasty lived. On the north of the Weiyang Palace are the sites of the Tian Pavilion and the Shiqu Pavilion, which belonged to the Imperial Library of the Western Han Dynasty (206BC-8AD). Eave tiles with characters of "Chang Le Wei Yang" and "Chang Sheng Wu Ji", Han air bricks and aqueducts could be found from time to time.
Major architectures within the palace include: the Front Hall, Xuanshi Hall, Wenshi Hall, Qingliang Hall, Qilig Hall, Jinhua Hall, Chengming Hall, Gaomen Hall, Baihu Hall, Yutang Hall, Xuande Hall, Jiaofang Hall, Shaoyang Hall, Bailiang Platform, Tianlu Pavilion and Shiju Pavilion, etc. Among them, the Front Hall is situated at the center of the whole palace, with its base altar spanning about 350 meters from north to south, 200 meters from east to west and 15 meters high at the north tiptop. Historical records show that Weiyang Palace had a Sima Gate (gate for defense) at each of the four sides, a watchtower at each of the northern and eastern gates -- the East Watchtower was for seigneurs to meet the emperor, and the North Watchtower, for scholars and ordinary people to submit written statements.
The Han Dynasty palaces in Chang'an are the palaces that served for the longest time in Chinese history. Chang'an was not only the political center of the Western Han Dynasty, Wang Mang regime, Western Jin, Former Zhao, Former Qin, Later Qin, Western Wei and Northern Zhou dynasties, but also, many major historical events took place here, for instance, Zhang Qian, a diplomat of the Western Han Dynasty, set out here to inaugurate the Silk Road; Wang Zhaojun, one of the four beauties in ancient China, requested of her own accord in the palace to marry the Khan of the Hun, and so on.

Dr. Sun Yat-sen's Mausoleum



Known as "Zhongshan Ling" in Chinese, Dr. Sun Yat-sen's Mausoleum is situated on Zhongshan Mountain (Bell Mountain)in the eastern suburb ofNanjing, capital city ofJiangsu province. The mountain is also calledZijin Moutain(The Purple Gold Mountain) because of the purple clouds that often hang over its peaks. With its many green pines and cypresses, blue tiles and silvery walls, the mausoleum offers a sublime and majestic view.
The question remains to be answered as to why the mausoleum is located on Zijin Mountain , especially since Dr. Sun Yat-sen, who was born in Chanxiangshan ofGuangdong provinceand died inBeijing, stayed in Nanjing for only a short time. Perhaps the answer can be found in one of his trips to Zijin Mountain.
In March 1912, when Dr. Sun was the provisional president of the then Republic of China, he once went hunting on Zijin Mountain with Hu Hanmin and others. As he gazed at the windingQinhuai River, followed by the green mountains behind, theMing DynastyTomb to the left and Linggu Valley to the right, he smiled and said to his close attendants, "The day I die, I wish to rest my body down here."

In March 1925, Dr. Sun fell seriously ill and was on his deathbed. As he was sleeping, his wife Song Qingling, He Xiangning and Wang Jingwei began to talk about his funeral. Wang suggested his remains be buried on Jingshan Mountain in Beijing. At that very moment, Dr. Sun woke up and said, "No, no, I want myself to be buried on Zijin Mountain." Everyone present was astonished and immediately consented to his request, though none of them knew where the so-called Zijin Mountain was located.
After his death on March 12, 1925, his coffin was temporarily put in the Fragrant's Mountain'sTempleof Azure Clouds, while the mausoleum was being built on the southern slope of Zijin Mountain, according to his will. A grand foundation-laying ceremony was held. In 1928, the Kuomintang government designated the entire Zijin Mountain as theSun Yat-sen Mausoleumand upon completion of the mausoleum, Dr. Sun's coffin was brought from Beijing to be buried there. In 1961, the mausoleum wasdeclared by theState Councilto be a key protective unit of cultural relics.
The south-facing mausoleum covers an area of over 80,000 square meters, and includes the semi-circle square, the memorial archway, the passway, the gate hall, the tabletpavilion, the sacrificial hall and the coffin chamber. All the buildings in the mausoleum's layout are arranged on a north to south axis. The Ming Dynasty Tomb (Ming Xiao Ling) is located nearby. Visitors cherish the memory of Dr. Sun by paying respects to his remains.
The mausoleum was designed in the shape of an alarm bell, reflecting Dr. Sun's idea of "evoking the mass people to buildthe Republic of China". Thebronzestatue of his image at the foot of the mountain is the spire of the bell,and the semi-circle square in front of the entrance resembles the arch top of the bell. The main memorial hall's vault looks like the pendulum. The huge bronze Ding (an ancient cooking vessel with two or three loop handles), a symbol of power in ancient times is seen as the hand of the bell.
A granite memorial archway, or Paifang which is inscribed with twoChinese characterswritten by Dr. Sun with the meaning of "fraternity", leads to the mausoleum grounds.Immediately behind is a 375-meter-long and 40-meter-wide pathway leading slightly up the hill to the formal gate hall with three arched entrances. On the upper part of the gate is inscribed four Chinese characterswritten by Dr. Sun, meaning, "the nation is people's nation and everyone shall serve the nation selflessly" (Tian Xia Wei Gong). From here the pathway leads up a wide stairway consisting of 392 steps and 8 terraces to the main memorial hall at the top. From the top, none of the terraces can be seen while from the top, none of the steps can enter the eyes This can be viewed as an engineer reflection of Dr. Sun's philosophy of all people being equal.
Inside the gate hall, there is a pavilion which houses Dr. Sun's memorial tablet, a huge stone stele about 6 meters in height. Behind this and at the end to steps is the main memorial hall, consisting of the sacrificial hall and the coffin chamber. On the eighth terrace there is a pair of ancient Chinese ornamental columns (Huabiao), standing respectively on each side of the 12.6 meters high memorial hall.


The sacrificial hall is actually a palace with three entries, with the inscriptions of "nationalism" "civil rights" and "people's livelihood" respectively on each entry. The hall's ceiling is tiled with a flag of the Republic of China, which Dr. Sun Yat-sen established in 1911. In the center of the hall sits the 4.6-meter-high marble statue of a sitting Dr. Sun Yat-sen. On the four sides of the statue there are relief sculptures reflecting Sun's glorious revolutionary life. The walls of the hall are decorated with the full text of "The Guidelines for Establishing a Nation" written by Dr. Sun and "The Premier's Will" compiled by Huhanmin, etc. Visitors will not only learn of Sun's efforts and achievements in overthrowing the feudal system, but also his ideology about the independence, prosperity and development of the country.
North to the sacrificial hall is the circular coffin chamber, the resting place of Sun's remains. They lie in a rectangular marble stone coffin capped with a reclining sculpture of Dr. Sun , which is the work of a Czechic sculptor. The coffin sits in a sunken circular pit with a diameter of 4 meters and a height of 5 meters so that visitors can gaze down on it as they circle around in silence.
Over the last three decades, Dr. Sun Yat-sen's Mausoleum has witnessed enormous changes. The whole mausoleum and its memorial buildings have been extensively renovated several times. Tourists to Nanjing usually visit the mausoleum and pay their respects to Sun Yat-sen, the great revolutionist. Endowed with rolling hills, a vast sea-like forest, many sights and rich resources, the mausoleum is majestic and magnificent. With the unique and successful design, the mausoleum has been dubbed "the First Mausoleum in the History of Modern Architecture ".

Tuan Cheng Fortress


About two kilometers southeast to the Xiangshan Park at the foot of the West Hill in Beijing, the Tuan Chen Fortress was first built in the 14th year (1749) of Emperor Qianlong's reign. Being the only one of its kind, the Tuan Chen Fortress is a castle-like military training compound for emperors of the Qing Dynasty (1644-1911) to train and inspect their troops.
The layout of the Tuan Cheng Fortress has a style of its own, with a great spectacle. From north to south are, in turn, Tuan Cheng, the drill hall, the drill ground, the Shisheng Temple Stele Pavilion, and the Pine Hall. The drill hall is a circular castle-like building, enclosed by a city moat. Two white marble bridges are over the moat, facing the city gate. The south and north side of the castle has respectively a gate with a tablet hung on it -- the north tablet reads Zhi Yu Jin Tang (will strong as the impregnable fortress), and the south one reads Wei Xuan Bi Lei (power running over rampart). Inside the castle, a circular yard measuring 1,800 square meters is in the center, with two paths for horse running up the east and west city walls to the top of the fortress. On the south and north gates are two towers of the same specifications. The south city gate tower has turned into a temporary exhibition hall, displaying historical materials of the Tuan Cheng Fortress, copies of imperial couches, battle-axes, gongs, umbrellas, fans and weapons of the Qianlong reign according to their original shape, which gives visitors a brief introduction of relevant historical facts and the development of the Tuan Chen Fortress.
A drill ground named the Peach Garden is situated to the south of the drill hall. It is said that in the twelfth year (1747) of Qianlong's reign, Sichuan ran into chaos caused by war, with local people setting up watchtowers in every strategic pass to resist the garrison of the Qing troops. To calm down the turmoil and preparing soldiers for battle against heavily armed defenders fortified in watchtowers, Emperor Qianlong duplicated several watchtowers in the Tuan Cheng Fortress and trained a special troop named Smart Scaling Ladder Troop. Later, the Tuan Cheng Fortress became the drill place of Scaling Ladder Troop and was inspected by Emperor Qianlong from time to time. The Stele Pavilion of Shisheng Temple was built to the southwest of the drill hall, with a tablet erected in the center. Inscribed by Emperor Qianlong himself and written in languages of the Han, Manchu, Mongolian and Zang, the inscriptions on the tablet recorded the cracking down of Sichuan turmoil and the development of Shisheng Temple.
Featuring a special architectural style, the Tuan Cheng Fortress is Beijing's only military training center combining city, temple, tower and drill ground into a whole set. In ancient times, emperors of past dynasties rewarded soldiers here. Nowadays, Tuan Chen has held three large martial art events, and received many martial art fans from all over the country.

Shanhaiguan Pass


Known as the First Pass under Heaven, the Shanhaiguan Pass isone of the world's grandest ancient structures as well as the starting point of the Great Wall. Situated between two sheer cliffs of the Yanshan Mountains, it has been a strategic place contested by militarists since ancient times. Standing between mountain and sea, the Pass controls both land and sea passages. With Beijing, the national capital, and Shenyang, the provincial capital of Liaoning, only 400 kilometers away, the Shanhaiguan Pass has been traditionally known as"the first important pass of the Great Wall and the only pass that can lock up the two capitals".
Built in tenth year of the Emperor Hong Wu's reign of the Ming Dynasty (1368-1644), the city gate towers are the main sceneries in the Shanhaiguan Pass, composed of Arrow Tower, Muying Tower, Linlu Tower and Jingbian Tower. Among those towers, the most famous one is the East Gate, the tower of First Pass under Heaven. It forms a situation of Five Tigers Guarding the East Way, together with Weiyuan, Jingbian, Muying, Linlu towers. Standing on the second floor of the tower, one can have a full view of both inside and outside of the Shanhaiguan Pass.Today, the lower part of the tower has turned into a Great Wall Museum, showcasing archaeological materials, literatures, pictures and models.
The city gate towers of the Shanhaiguan Pass recorded great changes seen in the past 600 years. After the founding of New China, the Pass under careful maintenance has become a favorable tourist spot and won the honors of the Nation's Model Tourist Spot, the Nation's AAAA-Class Tourist Spot and the Nation's Excellent Tourist City, owning to its typically traditional architectural style and scenery blending mountain, sea and fortress.

Changyin Pavilion


Located in the Ningshou Palace (the Palace of Tranquility and Longevity) in the Forbidden City, to the east side of Yangxing Study (Study of the Cultivation of Nature), Changyin Pavilion is best known for its Grand Theater Building. First built in 1771 in the Qing Dynasty (1644-1911), the grand theater building is 20.71 meters in height, and 685.94 square meters in total area. It features three tiers of tilted eaves and stages, namely, Fu Stage (Happiness), Lu Stage (Fortune) and Shou Stage (Longevity), from top to the bottom.
Resembling that of Dehe Garden in the Summer Palace, the Grand Theater Building in Changyin Pavilion has trapdoors in the ceiling for fairies to descend, as well as on the floor for demons to surface. Wells and ponds were sunk under the ground stage, with machinery drawing water up to the stages when needed.
The Shou Stage is the main performing stage, with the Fu Stage and the Lu Stage seldom used except when performing dramas of gods and spirits. Opposite the stage is a two-storey building called Yueshi Building, where the emperors, empresses and imperial concubines watched the play. The Yueshi Building is surrounded by two-storey buildings respectively in the east, west and north. Female court attendants and ministers could watch the play in corridors along the side buildings. Behind the Yueshi Building is the Hall for Birthday Celebrations.
The Grand Theater Building in Changyin Pavilion is the largest in the Qing palace. In ancient China, enjoying the theater was the major entertainment in the imperial palace. Plays were put on stage during festivals like the New Year, the Beginning of Spring, the Lantern Festival, the Dragon Boat Festival, the Seventh Evening of the Seventh Moon, the Mid-autumn Festival, the Double Ninth Festival, the Winter Solstice, the New Year's Eve, as well as important celebrations like the enthronement of the emperor and the birthday party of the emperor or the empress.
According to historical data, Empress Dowager Cixi went to see a play in the Changyin Pavilion during every festival, accompanied by the emperor, the empress, the emperor's concubines, princes, dukes and ministers. In the tenth year (1884) of Emperor Guangxu's reign, Empress Dowager Cixi celebrated her fiftieth birthday. To please her, the emperor spent 110,000 liang of silver to purchase costume and stage properties for plays held in the Changyin Pavilion.

Yueyang Tower


The Yueyang Tower stands on the west gate of the Yueyang city wall, looking down at the Dongting Lake, facing the Junshan Island in the distance, and linking the Yangtze River to the north and the Xiangjiang River to the south. Standing on the tower, one can gaze at the distant view of the mists and ripples of the Dongting Lake, with boats sailing on the vast lake. Yueyang Tower is listed as one of the Three Great Towers in China, along with the Yellow Crane Tower in Wuhan and the Prince Teng Pavilion in Nanchang.It has long enjoyed the reputation of being the "first tower under heaven", as the Dongting Lake is known as the "first water under heaven."
It is said that the site was originally an inspection platform for the general Lu Su of the Wu Kingdom (222-250AD) to train his naval troops. In the fifth year of Emperor Qingli's reign in the Northern Song Dynasty (960-1127), Teng Zijing renovated the Yueyang Tower and invited his good friend Fan Zhongyan, a well-known writer, to compose an essay. In Fan's essay,Remarks of Yueyang Tower, he not only described the wonderful scenery, but also wrote the famous lines of one should be the first to bear hardship, and the last to enjoy comforts, indicating his concerns for the country and people. His words won the tower great fame, and have been deeply rooted in the Chinese people's mind from generation to generation. After numerous renovations,the current structure was rebuilt in 1867 in the Qing Dynasty (1644-1911).
The Yueyang Tower has its special architectural features. Its main building has three stories and is 15 meters in height, with four huge nanmu pillars supporting the whole building, twelve round log columns supporting the second floor, and another twelve catalpa pillars supporting the roof. Constructed of wood with interlocking brackets that require no nails, the main building is as steady as a monolith. Its roof looks like a general's helmet, grand and unique. On the right side of the main building is the Thrice Drunken Pavilion, named after a legend describing Immortal Lu Dongbin who got drunk here three times. On the left side is the Fairy Plum Blossom Pavilion. It is said that a flagstone was excavated during the Emperor Chongzhen's reign of the Ming Dynasty (1368-16440. The lines on the stone resemble withered plum blossoms. Those lines were regarded as hand drawings of immortals and called the pavilion Fairy Plum Blossom Pavilion. The piece of flagstone is still erected in the center of the pavilion. Housed in the tower is a wooden screen written by famous calligrapher Zhang Zhao of the Qing Dynasty. Fan Zhongyan's Remarks of Yueyang Tower are inscribed on the screen, which remind visitors of his famous lines.

Suzhou Gardens

Suzhou is China's well-known "city of gardens", which tops all gardens in both the number and the artistry. Suzhou's art of gardening has undergone a history of 1,500 years. According to chorography, there were once over 200 gardens in the city, and 69 of them are still in good preservation today.
Suzhou gardens seek the return to Nature and the cultivation of temperament, with hills and waters, flowers and trees, pavilion, terraces, towers and halls composing the basic garden elements.
Suzhou gardens have their own characteristics in layout, structure and style. The Four Classical Gardens of Suzhou, namely, the Surging Waves Pavilion, the Lion Grove Garden, the Humble Administrator's Garden and the Lingering Garden, respectively represent the different styles of Song (960-1279), Yuan (1271-1368), Ming (1368-1644) and Qing (1644-1911) dynasties.
The Canglang Pavilion
Canglang Pavilion, also named the Surging Waves Pavilion and located south of Suzhou City, is the oldest garden among the existing classical gardens of Suzhou. The area used to be the private garden of a Prince of the Five Dynasties (907-960). During the Northern Song Dynasty, the scholar Su Zimei built a pavilion in the garden and named it Canglang Pavilion.
The garden, connected by a long roofed walkway, features a range of man-made mountains on the inside and waterscapes on the outside. To enter the garden, one must proceed past an expanse of water over a zigzag bridge of stone and through the entrance. It is at this point that one catches sight of a man-made mountain covered with age-old trees and bamboos.
The Mingdao Hall (Enlightened Way Hall), located to the south of the mountains, is the major building of the garden. It was said to have been a site for lectures during the Ming Dynasty (1368-1644). Surrounded by verdant trees, it appears simple but dignified. On the walls of the hall hang three rubbings of the Song Dynasty steles, which are pictures of astronomy, Song Dynasty vehicles and a map of Pingjiang (today's Suzhou) in the Song Dynasty. Inside the hall there is a wall inlaid with more than 500 stone statuaries of figures related to the history of Suzhou.
In the southwest part of the garden is a stone cave in rockeries, on which stands a pavilion for people to enjoy scenery in Suzhou.
The Lion Grove Garden
Located in the northeast part of Suzhou City, the Lion Grove Garden is the representative of gardens of the Yuan Dynasty (1271-1368). It was first built in 1350 by Monk Tianru and his disciples, as a memorial to their master, Monk Zhongfeng. Because there were a lot of grotesque rocks in the garden resembling lions, the garden was thus named as the Lion Grove. With an area of 10,000 square meters, the Lion Grove Garden has reputed as the "Kingdom of Rockery" for a long time.
Covering nearly half of the total area of the garden, these rockworks, made from Taihu Lake limestone, were ingeniously piled up in layers to form peaks, crags, valleys and caverns. There're 9 mountain paths, 21 caves, and innumerable grotesque rocks, many of them resembling lions with different and striking poses, such as dancing lions, roaring lions, a couple of fighting lions, and lions playing with a ball.
It was said that Emperor Qianlong of the Qing Dynasty once visited here and wrote an inscription "Zhenqu" (True Delight) to describe the beauty of the garden, which is now hung on the True Delight Pavilion. The long corridor zigzags throughout the garden, with walls carved with 67 pieces of calligraphy works of famous Chinese calligraphers. Other famous architectures include Wen Tianxiang Poem Steles Pavilion and Imperial Steles Pavilion, etc.

Suzhou Gardens

Suzhou is China's well-known "city of gardens", which tops all gardens in both the number and the artistry. Suzhou's art of gardening has undergone a history of 1,500 years. According to chorography, there were once over 200 gardens in the city, and 69 of them are still in good preservation today.
Suzhou gardens seek the return to Nature and the cultivation of temperament, with hills and waters, flowers and trees, pavilion, terraces, towers and halls composing the basic garden elements.
Suzhou gardens have their own characteristics in layout, structure and style. The Four Classical Gardens of Suzhou, namely, the Surging Waves Pavilion, the Lion Grove Garden, the Humble Administrator's Garden and the Lingering Garden, respectively represent the different styles of Song (960-1279), Yuan (1271-1368), Ming (1368-1644) and Qing (1644-1911) dynasties.
The Canglang Pavilion
Canglang Pavilion, also named the Surging Waves Pavilion and located south of Suzhou City, is the oldest garden among the existing classical gardens of Suzhou. The area used to be the private garden of a Prince of the Five Dynasties (907-960). During the Northern Song Dynasty, the scholar Su Zimei built a pavilion in the garden and named it Canglang Pavilion.
The garden, connected by a long roofed walkway, features a range of man-made mountains on the inside and waterscapes on the outside. To enter the garden, one must proceed past an expanse of water over a zigzag bridge of stone and through the entrance. It is at this point that one catches sight of a man-made mountain covered with age-old trees and bamboos.
The Mingdao Hall (Enlightened Way Hall), located to the south of the mountains, is the major building of the garden. It was said to have been a site for lectures during the Ming Dynasty (1368-1644). Surrounded by verdant trees, it appears simple but dignified. On the walls of the hall hang three rubbings of the Song Dynasty steles, which are pictures of astronomy, Song Dynasty vehicles and a map of Pingjiang (today's Suzhou) in the Song Dynasty. Inside the hall there is a wall inlaid with more than 500 stone statuaries of figures related to the history of Suzhou.
In the southwest part of the garden is a stone cave in rockeries, on which stands a pavilion for people to enjoy scenery in Suzhou.
The Lion Grove Garden
Located in the northeast part of Suzhou City, the Lion Grove Garden is the representative of gardens of the Yuan Dynasty (1271-1368). It was first built in 1350 by Monk Tianru and his disciples, as a memorial to their master, Monk Zhongfeng. Because there were a lot of grotesque rocks in the garden resembling lions, the garden was thus named as the Lion Grove. With an area of 10,000 square meters, the Lion Grove Garden has reputed as the "Kingdom of Rockery" for a long time.
Covering nearly half of the total area of the garden, these rockworks, made from Taihu Lake limestone, were ingeniously piled up in layers to form peaks, crags, valleys and caverns. There're 9 mountain paths, 21 caves, and innumerable grotesque rocks, many of them resembling lions with different and striking poses, such as dancing lions, roaring lions, a couple of fighting lions, and lions playing with a ball.
It was said that Emperor Qianlong of the Qing Dynasty once visited here and wrote an inscription "Zhenqu" (True Delight) to describe the beauty of the garden, which is now hung on the True Delight Pavilion. The long corridor zigzags throughout the garden, with walls carved with 67 pieces of calligraphy works of famous Chinese calligraphers. Other famous architectures include Wen Tianxiang Poem Steles Pavilion and Imperial Steles Pavilion, etc.
The Lingering Garden
With an area of 30mu(2 hectares) and situated outside the Cang Gate of Suzhou City, the Lingering Garden was originally the East Garden of Xu Shiqin in the Ming Dynasty (1368-1644), later it became the property of Liu Rongfeng of the Qing Dynasty (1644-1911) and was renamed Haibi Villa, popularly known as "Liu Garden". In the 12th year (1873) of the reign of Tongzhi, it was purchased, expanded and overhauled by the new owner, Sheng famlily, who renamed it "the Lingering Garden".
Today, centering the pond, the garden is separated into the eastern, middle, northern and western parts. To the south of the pond are groupings of garden courts and elegant buildings, such as Mingse Building; to the north are rockeries and pavilions; to the west are rockeries with a long corridor zigzagging to all parts of the garden; and to the east are zigzag corridors and Guanyun Courtyard which is best famous for its 6.6-meter-high and 5-ton-weighty Guanyun Peak, the only complete Taihu Lake limestone and the biggest among the rockworks in Suzhou gardens.
The Humble Administrator's Garden
The Humble Administrator's Garden is the representative of gardens in Suzhou. Around 1513 during the Ming Dynasty (1368-1644), the imperial inspector Wang Xianchen, being sick of officialdom, returned to Suzhou after retiring from public life and built this garden and named it The Humble Administrator's Garden.
Focused on a central pond with pavilions, terraces, chambers, and towers located nearby, the garden is divided into three parts: the eastern, middle and western parts.
The eastern part features mountains and ponds, with Suxiang Hall and Lanxue Hall as the representative architectures. The main building, Mandarin Duck Hall, was where the master used to entertain his guests with operas and other performances.
The middle part of the garden is the cream of all, featuring the Lotus Pond, Yuanxiang Hall and two mountain islands. In this area there are several pavilions which are suitable for sightseers to enjoy the sceneries around the lotus pond. It has marvelous mountains, clear water, exquisite buildings and exuberant trees and flowers, reminiscent of the scenery in Southland.
Humble Administrator's Garden is a typical example of the art of horticulture south of Yangtze River as well as a treasure house containing arts of architecture, calligraphy, carving, painting, and bonsai. It was listed as cultural relics of national importance in 1961.
The Jichang Garden
The Jichang Garden, also named the Garden for Ease of Mind and located at the eastern foot of Huishan Hill and north side of Huishan Temple, is a noted ancient garden in southern China. In the early Ming Dynasty (1368-1644), Qin Jin, a military official in Nanjing, made the place into a villa garden. Later it renamed Jichang Garden. Emperor Qianlong of the Qing Dynasty (1644-1911) was so impressed by its design that he ordered an imitation of the garden to be built in the Summer Palace in Beijing which was named the Garden of Harmonious Interest.
Covering only 15mu(1 hectare), with Huishan Hill on its east and Xishan Hill on its southeast, the Jichang Garden was built in such an ingenious manner that it seems to absorb the picturesque surroundings, giving to its confines an impression of infinite space. It seems as if both Xishan Hill and Huishan Hill are a part of the garden. The garden is divided into two parts: the eastern part, mainly composed of water ponds and pavilions, and the western part, mainly luxuriant forests and exquisite rockeries.
The Garden of the Master of the Nets
The Garden of the Master of the Nets, located on Shiquan Street in Suzhou City with a total area of 0.54 hectares, is the smallest garden in Suzhou -- half the size of the Canglang Pavilion and one-tenth the size of the Humble Administrator's Garden.
The garden was laid out during the Song Dynasty (960-1279), abandoned, and then restored in the 18th century as part of the residence of a retired official. It was said that the official announced that he had had enough of bureaucracy and would rather be a fish man. Hence came its name.
The main garden, occupying about four fifth of the total area of the garden, is situated northwest of the residential area with a pond in the center. Comparing with the normal architecture in the east residential area, the garden architecture appears freer and was suitable for reading, painting, viewing, resting, sipping tea and holding small banquets.
The pond, covering an area of about 440 square meters, has a tiny arch bridge named Yinjing Bridge (Leading to Quietude Bridge) in its end. The bridge, with a total length of 212cm and a width of 29.5cm, is the smallest arch bridge in the garden.
To the west of the main garden is the inner garden, which covers an area of 1 mu (about 667 square meters). Halls, pavilions, springs, plants, and verandas are scattering here and there in this garden, fully embodying the cream of the layout of the Suzhou gardens. The Dianchun Studio, a solitary courtyard in this part, enjoys a quiet environment, and features the architectural style of the Ming Dynasty (1368-1644).
The most striking features of the Garden of the Master of the Nets are: all pavilions in it are surrounded by water; and small as its size is, the scale of the building is large, but nothing appears cramped.
The Garden of Pleasance (Yi Yuan)
The Garden of Pleasance, situated along the Renmin Street in downtown Suzhou, was the residence of Wu Kuan in the Ming Dynasty. During the reign of Guangxu of the Qing Dynasty (1644-1911), its ownership shifted to Gu Wenbin, who spent seven years expanding it to an area of more than 8 mu (15mu = 1 hectare). The garden is divided into two parts -- the east and the west -- and in between, there is a two-layered corridor, which has windows on the wall and is decorated with varied patterns.
The eastern part mainly consists of two pavilions, one hut and one hall, and courtyard architectures, surrounded by winding corridors. In the courtyards flowers and trees are planted in the front, decorated with lake limestone. The eastern part, focus of the whole garden, is mainly composed of mountain and water sceneries. A narrow pond runs from the east to west in the middle, surrounded by mountain stones, flowers and trees.
The Garden of Pleasance is noted for three features: the large numbers of rocks from lake, stones carved with calligraphic works, and abundant flowers and trees. Compact layout, zigzag arrangement, ponds, flowers and birds, and a large number of pavilions in the garden are really appealing to tourists.
The Mountain Villa with Embracing Beauty
The Mountain Villa with Embracing Beauty, situated at No. 262 of Jingde Road, was originally the site of Qian's Jingu Garden. After several times of ownership changes and expansions, the garden was renamed Huanxiu Shanzhuang (the Mountain Villa with Embracing Beauty), also called Yi Yuan, during the reign of Daoguang of the Qing Dynasty (1644-1911).
The villa is celebrated for its unusual limestone rockery. Within an area of 500 square meters, this man-made mountain, with high peaks, dells, pathways, caverns, stone house, stone steps, ravines, precipices, gullies, bridges and cliffs, has a natural appearance. At its summit are towering old trees, and at its foot, murmuring streams.
The Mountain Villa with Embracing Beauty is surrounded by pines, cypress, yulan and so on. The trees form a green wall and flowers send out fragrance, adding vitality to the surrounding mountains, ponds and architectures.

Historical Cities-- Datong

Datong

Yungang GrottoesDatong, situated in the far north of Shanxi Province, covers a total area of 14,112.56 square kilometers, and averages at 700 to 1,400 meters in altitude. The city has a population of 2.848 million, about 60% of which is in rural areas. Datong has ethnic minority groups like Mongolian, Manchu, Tibetan, Hui, Miao, Korean, etc., and the Han people make up 99.6%.


Datong, with a long history and located at a strategic place, was once a capital of the country in ancient times, the capital city of two non-Han Chinese dynasties and a town of military importance in four dynasties. Datong enjoys convenient transportation and communications, and boasts rich mineral resources and solid industrial foundation. It is now an energy and heavy chemical base in China, and is especially famous for coal production, which wins it the name of the capital of coal.
The finest of the city's marvelous natural sites is a magnificent series of Yungang Grottoes built in the Northern Wei Dynasty (386-534), just west of the city. Yungang Grottoes, Dunhuang Mogao Grottoes and Luoyang Grottoes are called China's three major grottoes, which are of very high artistic value.
The most beautiful landscape in Datong is Hengshan, one of the five holy mountains of Taoism. At the foot of Hengshan Mountain, there is the almost unbelievable Midair Temple, which lies against cliffs and stays high up in the air, and is acclaimed as the peak of perfection.